The Revolutionary Movement Of The Late 19th And Early 20th...

Dadaism, closely followed by the Surrealist Movement, in the late 19th and the early 20th century, signify pivotal periods of artwork. Dadaism arose after WWI as a result of the nationalism that many people believed led to the war. Influenced by Cubism, Futurism, Constructivism and Expressionism, it aesthetically it marked ‘a mockery of materialistic and nationalistic attitudes’. Challenging conventional art which was meticulously planned and completed, Dada pieces incorporated the idea of chance, ‘making works that often upended bourgeois sensibilities and that generated difficult questions about society.’ Dada artists were well-known for their use of readymade objects which could be bought and adapted into new pieces of artwork,†¦show more content†¦Ã¢â‚¬Ëœ[Surrealist] artists were not overly concerned with aesthetic issues involving line and colour, but instead felt compelled to create what Surrealists thought of as the â€Å"real†.à ¢â‚¬â„¢ The movements themselves aimed to shock the public as they did not adhere to traditional artistic conventions. Not only was the abstract nature of the artwork shocking, but the meanings behind it. My chosen pieces are featured below. They are three very different examples of work, but I will analyse each and explain how they, as parts of these Movements, aimed to shock the public in its own way. Francis Picabia was a principle figure of the Dada movement in Paris and New York. He easily shifted between abstraction and figuration at a time when artists rigidly followed conventions, and this disregard for artistic expectations encouraged some outstanding innovations. He enjoyed producing work with hidden messages, double meanings, puzzles and in-jokes which perplexed and shocked viewers. Tristan Tzara’s radical ideas thrilled Picabia. He continued his involvement in the Dada movement throughout 1919 in Zà ¼rich and Paris, before breaking away from it after developing an interest in Surrealist art. He denounced Dada in 1921 and claimed it had in fact lost its capacity to shock. Despite this, the Surrealist Movement continued to shock its audience in new ways. 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